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The Russian artist Wassily Kandinsky was called to the Bauhaus in Weimar in 1922 as a teacher, where he was one of the most important and formative teachers. In his almost eleven years at the school, he developed his ideas on art theory and taught them to his students in the classroom.
For three years he led u.a. the workshop for wall painting and taught in the preliminary course "Abstract Form Elements" and "Analytical Drawing".
The dance curves of Wassiliy Kandinsky from 1926 which he gave to the dancer Gret Palucca are hominized in "Mommyposition" and reinterpreted.

Empirical social research with own emotional tears, collected and frozen to ice cubes.

For the project entitled Deposit, the artist collected bank notes of European nations' former currencies, those countries which now belong to the Eurozone. She scanned the reverse sides, shrank the motifs, and printed the nearly-forgotten symbols on canvas. Do you recognize the motifs of the German twenty-Mark notes? These once-integral components of European identities have, in the space of a few years, become decals.

The slaughterhouse is a ruin; each time, traces of its use in years past have emerged. In encountering the slaughterhouse, there are ever more pieces of new graffiti. Through their free presence in the space, they dominate the atmosphere of the slaughterhouse. The slaughterhouse building complex was built in the style of the Italian Reniassance Palazzi. Sprayers of the graffiti in the slaughterhouse have been identified. They were instructed according to my specifications to frame selected graffiti pieces and to fill in with white paint. For this they received a fee of 100 Euro.)
Through the sprayed picture frames, the graffiti are connected with the character which typifies the building style. Under every emerging graffiti-picture come the words of the graffiti, dimensions, and my tag-name FB81520 (initials of my first and last names, last three digits of my matriculation number).